In this episode, we explore the history of Internet advertising as it relates to Terms & Conditions agreements. Used under a Creative Commons Attribution 4.0 International License “Royale,” performed by Josh Lippi & the Overtimers - This episode is sponsored by Jim Gibson University of Richmond Faculty Page “Boilerplate’s False Dichotomy” James Gibson, 2018 “Click to Agree” James Gibson, Richmond Law Magazine, 2013 References and Further Reading Available at Music from "Apero Hour" by Kevin MacLeod () License: CC BY () "Lobby Time" by Kevin MacLeod () License: CC BY () "Airport Lounge" by Kevin MacLeod () License: CC BY () "Sneaky Adventure" by Kevin MacLeod () License: CC BY () "Crinoline Dreams" by Kevin MacLeod () License: CC BY () "Opportunity Walks" by Kevin MacLeod () License: CC BY () Other Music “Let That Sink In,” composed by Lee Rosevere. If Terms and Conditions agreements are effectively contracts we sign with large companies, what happens when there’s a dispute? How are these agreements seen through the eyes of the law? Follow the show on Twitter More information on my guests: Chris Cotropia University of Richmond faculty page “Higher Education and the DMCA” Chris Cotropia and Jim Gibson, 2018. If any meaningful change to terms and conditions agreements is to happen, would it require government intervention? For references and further reading, including links referred to in the show, visit this episode's blog post on Music from : "Airport Lounge" by Kevin MacLeod () License: CC BY () "Amazing Plan" by Kevin MacLeod () License: CC BY () "No Good Layabout" by Kevin MacLeod () License: CC BY () "Hard Boiled" by Kevin MacLeod () License: CC BY () "Covert Affair" by Kevin MacLeod () License: CC BY () "Samba Isobel" by Kevin MacLeod () License: CC BY () "Mining by Moonlight" by Kevin MacLeod () License: CC BY () "Dreamer" by Kevin MacLeod () License: CC BY () Other music: “Let That Sink In,” composed by Lee Rosevere. Send in a voice message: Support this podcast:
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